Rose-Marie Berryman: The Private Woman Behind Tom DeLonge’s Second Chapter
| Detail | Information |
|---|---|
| Full Name | Rose-Marie Berryman |
| Also Known As | Marie, Marie DeLonge |
| Nationality | Not publicly confirmed |
| Occupation | Not publicly confirmed; online profiles suggest creative/design work |
| Spouse | Tom DeLonge (married May 4, 2021) |
| Children | Two (from a prior relationship) |
| Stepchildren | Ava Elizabeth DeLonge, Jonas Rocket DeLonge |
| Relationship Public | December 2019 |
| Engagement Announced | April 2021 |
| Wedding Date | May 4, 2021 |
| Wedding Type | Private courthouse ceremony |
Rose-Marie Berryman is best known as the second wife of Tom DeLonge, the co-founder and vocalist of Blink-182 and the frontman of Angels & Airwaves. She entered public consciousness quietly — not through a press release or a red carpet moment, but through a series of personal Instagram posts by her husband, who gradually pulled back the curtain on a relationship he had kept entirely private for the better part of two years. The couple married on May 4, 2021, in a simple courthouse ceremony, a choice that reflected both their personalities: understated, deliberate, and disinclined toward spectacle.
Very little verified biographical information about Rose-Marie exists in the public record. Her exact date of birth, place of origin, and educational background have not been confirmed by any reputable primary source. Some online profiles reference a person named Rose-Marie Berryman with graphic design and client liaison credits at a New Zealand-based creative agency, but these have not been independently confirmed as referring to the same individual. What is known with confidence has come almost entirely from DeLonge’s own social media posts and from a small number of media profiles drawing on those posts. She is a mother of two children from a relationship prior to her marriage to DeLonge, and she has maintained a private digital presence throughout her time in the public eye.
How Tom DeLonge Met Marie
The timeline of Tom DeLonge’s personal life provides the clearest context for understanding when and how he met Rose-Marie. After 18 years of marriage to his high school sweetheart Jennifer Jenkins, DeLonge filed for divorce in September 2019, with court documents listing the date of separation as December 29, 2017. By the time the divorce filing became public news, he had already been in a private relationship with Marie for what he described as “almost two years.”

The couple became Instagram official on December 19, 2019, when DeLonge posted a photo of the two of them and revealed that she would be joining him on Angels & Airwaves’ tour. The post was the first public acknowledgement of the relationship. According to the Songfacts annotation for the Blink-182 song “Fell In Love,” the two originally met at a party, beginning as friends before their romance developed. DeLonge later wrote the song to document those early memories — the casual first hello, the night she rested her head on his shoulder while they listened to music together, and the moment they both understood something had changed.
The Engagement That Stayed Secret for Over a Year
One of the more unusual aspects of their relationship is how long the engagement was kept from the public. In April 2021, DeLonge announced on Instagram — almost as an aside — that the two had actually been engaged for over a year. He had not made the engagement public at the time it happened, an omission he later addressed with characteristic informality, posting a humorous apology to fans: “Sorry I only told you all a couple days ago.” The announcement came less than a week before the wedding itself.
The ceremony took place on May 4, 2021, at a courthouse, attended by a small group of close friends and family. DeLonge shared the news on social media the same day, writing that he had married his love “Marie” with “a simple little courthouse visit.” In the same post, he described her as the most amazing person he had ever met, and expressed that being with her made him feel free. The language was personal and specific — not the polished statement of a publicist, but the kind of thing someone writes when they mean it.
Blended Family Life
The couple’s family situation involves children from both of their previous relationships. Rose-Marie has two sons from a prior relationship. Tom DeLonge has two children with his first wife Jennifer Jenkins: daughter Ava Elizabeth and son Jonas Rocket. DeLonge has publicly addressed what it means to become a stepparent to Rose-Marie’s children, writing that he feels honoured to be part of that role. He has also been open about the fact that her being a mother was not a complication to him — rather, it was something he valued in her.
Together they form a blended household, though the specifics of how they manage custody arrangements, where they are based, and how the children interact are not publicly documented. Both DeLonge and Rose-Marie Berryman have been consistent in keeping their children shielded from media attention.
Tom DeLonge’s Career Context
Understanding Rose-Marie’s place in DeLonge’s life requires a brief look at the broader arc of his career during this period. DeLonge co-founded Blink-182 in 1992 and was a central figure in the band through its peak years before departing in 2015. He spent the following years focused on Angels & Airwaves and on To the Stars Academy, his UFO research and media organisation. He rejoined Blink-182 in October 2022 after a seven-year absence, and the band released their ninth studio album One More Time… in 2023.
| Year | Event |
|---|---|
| 2017 | Separates from Jennifer Jenkins (per court documents) |
| 2019 | Files for divorce; goes Instagram official with Marie (December) |
| 2020–21 | Private engagement |
| April 2021 | Publicly announces engagement |
| May 4, 2021 | Marries Rose-Marie Berryman in courthouse ceremony |
| October 2022 | Rejoins Blink-182 |
| October 2023 | Blink-182 releases “Fell In Love,” inspired by meeting Rose-Marie |
The reunion with Blink-182 was significant. Alongside it came One More Time…, which included the single “Fell In Love,” released in October 2023. The song, written by DeLonge, Mark Hoppus, and Travis Barker alongside Ryan Tedder and Nick Long, drew directly on the story of how he and Rose-Marie got together. It interpolates the Cure’s 1985 single “Close to Me” in its synthesiser opening and captures, according to multiple reviews, the giddy and slightly clumsy energy of falling for someone new. Critics noted DeLonge’s sincerity on the track, which stood out on the album for its personal specificity.
A Private Presence in a Public World
Rose-Marie’s approach to public life has been consistent from the beginning: minimal footprint, no attention-seeking, no leveraging of her husband’s profile. Her own social media accounts, if they exist, are not widely circulated or publicly verified. Media coverage of her has been almost entirely dependent on DeLonge’s posts and statements, which is a deliberate outcome rather than an accident of circumstance.

This stands in contrast to the culture of celebrity adjacency that surrounds many musicians of DeLonge’s stature, where partners and spouses often become minor public figures in their own right. Rose-Marie Berryman has not pursued that path. She appears in photographs at her husband’s side occasionally, and her name surfaces in profiles of DeLonge himself, but she has not given interviews, built a public brand, or cultivated a media presence of her own. Some online profiles connect her name to graphic design and creative work, but the evidence for this is thin and uncorroborated by named employers, projects, or professional statements.
What Tom DeLonge Has Said About Her
The most substantive publicly available information about the dynamic between DeLonge and Rose-Marie comes from his own words, shared across social media at key moments in their relationship. He has described her as someone who has changed his life, who supports his creative ambitions, and who gives him a sense of freedom he values deeply. When announcing their marriage, he focused on gratitude and on the quality of the person rather than the milestone itself.
The song “Fell In Love” extends that portrait into music. In the lyrics, DeLonge sings about not missing the loneliness that came before — a sentiment that, read alongside everything else he has said about her publicly, suggests someone who arrived in his life at a moment of real personal disruption and provided something stable and genuine.
Honest About the Gaps
It is worth being clear about the limits of what is publicly known. No verified birthdate or birthplace for Rose-Marie appears in any reputable source. Claims about her age circulate online but draw on different and conflicting figures, none sourced to primary records or her own statements. Professional credits sometimes attributed to her — in design agencies, technology companies, or creative roles — have not been confirmed as referring to the same person who married Tom DeLonge. Any article that presents detailed biographical information about her early life, education, or career as established fact is drawing on unverified material.
What can be stated confidently is the outline: a private person who became publicly known through a meaningful relationship, who has chosen to remain largely outside the spotlight despite having every opportunity to occupy it, and who matters to someone whose life and music have been shaped, in part, by knowing her.
Conclusion
Rose-Marie Berryman represents something relatively uncommon in the world of rock music celebrity: a partner who has remained genuinely private while her husband’s life has played out in public. She did not seek the exposure that came with marrying Tom DeLonge, and she has done little to amplify it. What is known about her — that she is a mother, that she supports DeLonge’s creative life, that she married him in a courthouse and inspired a Blink-182 single — comes almost entirely from the man who loves her, and that fact alone says something worth noting. In an era when proximity to fame is routinely converted into personal platform, she has chosen to let the music speak and remain, herself, quiet.